Our CDs:
"Cantar d'amore"
Italian lovesongs from Renaissance and folk tradition
Gabriella Aiello - voice, tamburello
Peter Rabanser - voice, chalumeau, baroque guitar, ceccola
Riccardo Delfino - harp, voice
Marco Ambrosini - nyckelharpa, violino d'amore, jew's harp
Michael Posch - recorders
Katharina Dustmann - percussions
Sony Music, Deutsche Harmonia Mundi 88876544978
"La Follia - the Triumph of Folly"
Belinda Sykes, Gabriella Aiello, Su Ehlers – voice; || Peter Rabanser – voice, bagpipes, chitarra battente;||
Riccardo Delfino – hurdy-gurdy, harp, voice; || Marco Ambrosini – nyckelharpa, violino d'amore, jew's harp; || Jule Bauer – tenor nyckelharpa, voice; || Katharina Dustmann – percussions; || Carlo Rizzo – tamburello; ||
Michael Behringer – organ; || Michael Posch – recorders; || Ian Harrison – bagpipes, cornetto, voice;
Jane Achtmann – viola da gamba; || Giovanna Pessi – harp
A co-production of Deutschlandfunk & Sony Music
"Mediterraneum" - ancient worlds of improvisation between orient and occident
Belinda Sykes - voice, duduk || Peter Rabanser - voice, lute, gajda, duduk ||
Marco Ambrosini - nyckelharpa, pochette || Katharina Dustmann - zarb, bendir, davul || Michael Posch - reedflutes and recorders || Riccardo Delfino - harp || Carlo Rizzo -
tamburello, riqq, voice || Ross Daly - cretan lyra, tarhu || Kelly Thoma - cretan lyra || Ian Harrison - cornetto,
shawm, gaita || Efrén López - oud, gittern || Luigi Lai - launeddas
A co-production of Deutschlandfunk & Sony Music
Deutsche Harmonia Mundi 88697633802
"Canto Novello" - Italian "Laude" from the late middle - ages
Ars Choralis Coeln & Ens. Oni Wytars
Songs of spiritual, social and - most of all - musical renewal. A melting pot, a conglomerate of centuries-old Christian musical traditions and the rich folk-poetry, distinct, powerful and
thrilling. The two ensembles Ars Choralis Coeln an Oni Wytars have met especially for this project, in wich they put together the enchanting beauty of sonority and high-mettled instrumental
virtuosity – to make revive a fascinatingly eclectic tableau of the vernacular religious music in Upper Italy during the 14th century.
"Crai, crai, crai"
Music at the spanish court of Naples
An exciting confrontation of three musical worlds: Neapolitan poets such as Giulio Cesare Cortese, who sometimes performed their Tarantelle, Villanelle,
Frottole and Tammurriate even in down-town taverns, the spanish Villancicos by a.o. Diego Ortiz and finally the elaborate works of Netherlandish Maestros such as Giovanni de
Macque at the royal court.
A musical journey into the Spanish Kingdom of Naples, an ethnic melting pot wich has always been a crossing point between "Moorish" and European culture.
"with Ensemble Oni Wytars this mix of catchy melodies and elaborate instrumentals becomes an amusing journey." (MDR Figaro)
"From Byzantium to Andalusia"
Medieval Christian, Jewish and Islamic Music and Poetry
This concert programme introduces in a most impressing way to the music and poetry of the three great mediterranean cultures:
Italian "laude" from the "Laudario di Cortona", songs and poetry of the Ottoman Derwish brotherhoods by the great and mystic Yunus Emre, Andalusian "Judeo-Sephardic Romances", Christian - Arabic
music from Syria, the Marroccan "Andalusian School", and Catalan pilgrim music from the "Llibre vermell de Montserrat".
"...fabulous troughout!" (The Guardian/GB)
"Music of the Troubadours"
Ensemble Oni Wytars, Unicorn Ensemble Vienna & Maria Laffitte
The music and unique poetry of the great Occitan and Catalan Troubadours such as Jaufre Rudel, Beringuer de Palau and Giraut de Bornelh, a.o... interpreted in a most unique way by one of the great
voices of Catalunia, Maria Laffitte († 2008).
"On the way to Bethlehem"
Music of the Medieval Pilgrim
Ens. Oni Wytars & Unicorn Ens. Vienna
A musical journey from England, the most western country and launching point of the first Crusade, through France, Germany, Croatia, Macedonia, Bulgaria, Turkey, as far east as Syria.
A selection of Eastern and Western sacred and secular music performed on classical and traditional instruments of the Arabic world and their European successors of the Middle Ages.
"Carmina Burana"
the songs from Bendiktbeuren
Ens. Oni Wytars & Unicorn Ens. Vienna
Called the "songs from Benediktbeuren" the "Carmina Burana" one of the most representative monuments of medieval poetry and music deals - divided into four parts - with some of the most important
subjects of medieval lyric: piety, war, morality and Saturnalian orgy.
...simply enjoy... (Saale Zeitung)
Druckversion 